Check out my solo albums and various collaborations with wonderful people!
Solo
A mix of fuzz guitars, analog synths, tapes, and electronics that create a meditative, cinematic mood. Read more about “Permission to Feel”.
An improvisatory homage to my father, featuring electric guitar and classic synth sequences.
A streaming acoustic guitar concert from the beginning of the pandemic. Features several original pieces, John Abercrombie’s “Ralph’s Piano Waltz” and Carla Bley’s “Lawns”.
A collection featuring acoustic guitars, ambient loops, and an electronic piece built up from autoharp and a glitchy install of Sound Forge (“Aeolus”).
A collection of live and studio tracks, including several solo pieces, duos with Blake Helton, and performances for choreographer Blake Dalton’s Crossover Movement Arts.
Collaborations
A joyful reconnection with my old pal Killick Hinds in September 2025. All manner of fretless instruments, the ARP, and a Telecaster. There are gorgeous sounds within.
Songs by Julie Caldwell, lifted from her singer-songwriter origins into the realm of vintage pop music where country, rock, jazz and folk play well together.
Art songs with a modern jazz vibe, led by Jeff Crompton. I play the fretless bass in this group.
Exciting jazz quartet featuring original compositions and fresh interpretations of traditional Balkan and jazz music, featuring guitar wizard Eddie Beho. I play the fretless bass and contributed the tune “Betty’s Creek Blues”, inspired by a stay at The Hambidge Center.
Longstanding, free-spirited drums and electric guitar duo with buddy Blake Helton.
Helton and Bragg proudly present the chimerical, reconstructed soundtrack from the abandoned production of the late-period giallo film “Natura morta con coltello” (1980). Note: the film was a figment of our imaginations.
Electronic music collage of beautiful extremes, comprised of synthesizers and Bill Pritchard‘s electrified tuba.
Helton and Bragg get together with the most excellent Kevin Scott for a wild improv set at the fabled Elliott Street Pub.
A wild klezmer rock funk jazz trip into the psyche of one of the world’s most convoluted rabbi-superheros. The multi-tracked guitar solo at the end of “Der Stazi” might be my homage to the main instrumental excursion in Blind Faith’s “Had to Cry Today.”
